Skip to main content

Raku Firing

This week I experimented with Raku Firing. I used 50/50 clay and threw some pots and made some tiles that I hung up as a finished mobile. 

My pieces in a Raku kiln- I fired to cone 06 fast. It took about 4 hours to reach temperature.

I had two metal garbage cans with holes in the sides and layered sawdust on the bottom. Then I ripped up strips of newspaper and crumbled them up. 

In the larger garbage can I added pine straw and more sawdust.



Once the pots reach temperature you take them out hot and immediately put them in the garbage cans.

The combustible material immediately combusts and then there is the fire.

Big fire...

The small can had the smaller tiles in it.

I had a hard time getting the flames to go out in the larger can. So we banged the lid to make sure the oxygen wasn't getting in.

After 20 minutes this is what it looks like inside when you take the lid off.


The pots were still really hot.

One of the pots finished cooling off.

The test tiles finished as a mobile. 

My cylinder finished.

My bowl finished.

Over all I enjoyed the Raku process and will definitely try it again but maybe with a figure or a large head next time. Its a very physical process and I enjoyed the work. 

Comments

Popular posts from this blog

Palissy Ware

Bernard Palissy (1509-1589), French potter,  geologist and naturalist (Retrieved from: http://fineartamerica.com/featured/3-bernard- palissy-french-potter-sheila-terry.html ) "Palissy Ware" is a form of 19th Century ceramics invented by French potter Bernard Palissy.  At the time of its inception, Palissy Ware was known as "Rustique" Ware by Palissy himself. Palissy Ware is made out of earthenware and usually depicts realistic water or pond scenes with individually painted snakes, frogs, and foliage; "Palissy's distinctive style of polychrome lead-glazed earthenware in a sombre earth-toned palette, using naturalistic scenes of plants and animals cast from life,[1] was much imitated by other potters both in his own lifetime and especially in the 19th century, when pottery in Palissy's style was produced by Charles-Jean Avisseau of Tours, who rediscovered Palissy's techniques in 1843, his relatives the Landais family of To...

My Review for the New Mexico Potters Association "Clay Speaks of Home " Show

  COC 2026 Clay Speaks of Home at Santa Fe Community College -- a reflection. BY Nicole Merkens Full Review can be found here. By Nicole Merkens I slipped in early to see Celebration of Clay 2026 Clay Speaks of Home at Santa Fe Community College. The opening reception was set for March 5 from 4 to 6 pm at the Visual Arts Gallery, 6401 Richards Avenue in Santa Fe. I wanted the quiet before the crowd. I wanted to hear the work breathe. The Visual Arts Gallery at the Santa Fe Community College, with the show, Clay Speaks of Home. Photo by Nicole Merkens.  This year the show was blind juried by Elizabeth Hunt, Santa Fe, Serit deLopaz Kotowski, Taos, and Mary Sharp Davis, Albuquerque.  Seventy-six artists as well as the jurors stepped forward to wrestle with the notion “Clay Speaks of Home.” That topic is not simple. It is loaded. It carries dust, memory, grief, safety and longing. The gallery was full. Pieces lined the space in every shape and size. There were more ...

"Where Am I Going? Where Have I Been?

  I was asked to create a piece with the focus being " HOME" for a show. After much journaling and introspect I bring you "Where Am I Going? Where Have I Been". She is 29"h x 11"wx6.5"d. I don't usually like to start work with a direction ( I like the universe to dictate where I am at the moment- and ultimately the universe did). "This work is a deep dive into “home” the ever-shifting landscape where the heart learns to root, uproot, and root again. Home is the place you carry like a reliquary: tucked in small boxes, hung in frames, pressed against the tender chambers of memory. Each one is an altar of what has nourished you… and what has undone you.  When you have moved twelve times, you learn to shapeshift. Your roots grow shallow from necessity, lifted again and again before they ever reach the deep water. With every move, something is left behind; friends, lovers, versions of yourself you’ll never meet again. You start to ask: Should I st...